Color Architecture Landscape in the Ancient Mediterranean World Mural Painting, Analysis and Comparison: Mutual Influence and Contamination through the Mediterranean Sea

Color Architecture Landscape in the Ancient Mediterranean World Mural Painting, Analysis and Comparison: Mutual Influence and Contamination through the Mediterranean Sea

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The basic themes are: A - The building, at architectural, building and urban levels, in the relationship between architectural, chromatic and decorative values.B - The theme of the landscape and of the environment, the built in relationship with urban spaces and territory.C - The theme, most important, about the mutual influences and contamination - colours and decorative types - resulting from dense web of relationships of populations across the Mediterranean Sea.

Common to the themes is the very important aspect of the identification 3 piece horse wall art of places in relation to their prevailing colour components, or to the types of decorative and chromatic devices.If the interest of the writer for the color is developed in a wide span of time, the study of architectural-chromatic-decorative elements of the facades of historic buildings from the Middle Ages to the nineteenth century, here however they retrace chiggate.com the origins and history, to prove, both from what remains both the most from the ancient and authoritative sources, that this building and decorative practice, the decorative surface finishing function, either with exterior and interior architecture, is an integral part of architecture that has always been.It is the continuation of a very ancient and widespread practice in many countries bordering the Mediterranean, as in the Egyptian world, whose origins precede the fourth millennium BC, and in the neighboring cultures, Syrian-Palestinian and Phoenician.

The same is found in the Greek and pre-Hellenic world, from what remains at Knossos in Crete, at Santorini and in Greece, as documented by the architectural type color treatment, pretending colored marble, the portion of the wall, rebuilt, kept at museum of Pella (Macedonia), referring to the 4th century BC, and the reign of Philip II.